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1 channel with Class A 12AX7 vacuum-tube mic/instrument preamplifier

  • Gain control with +10 dB to +54 dB gain range
  • Tube Drive control
  • 48V phantom power switch
  • 80 Hz high-pass filter
  • -20 dB pad
  • Polarity-reverse switch

Fully Variable VCA compressor

  • Attack, Release, Ratio, Threshold, and (makeup) Gain
  • Auto Attack/Release switch
  • Soft/Hard Knee switch
  • Bypass switch

3-band parametric equalizer

  • Gain, Frequency, and Q controls (mid band)
  • Gain and Frequency controls (low and high bands)
  • Shelving/peak switches (low and high bands)
  • Switchable pre-/post-compressor
  • Bypass switch

Master level control

  • Backlit VU meter
    • Gain Reduction to Meter switch (selects gain reduction or output gain)


  • 1 unbalanced ¼-inch instrument input (front panel)
  • 1 balanced ¼-inch line input
  • 1 balanced XLR mic input
  • 1 balanced ¼-inch line output
  • 1 balanced XLR line output


  • 1U 19-inch rack-mountable, rugged steel chassis
  • Sealed, detented, metal rotary controls
  • External 16 VAC power supply


  • 16 touch-sensitive, 100 mm long-throw, motorized faders
  • 16 Scribble Strip displays
  • Complete recording-transport controls: Play, Stop, Fast Forward, Rewind, Record, Loop
  • Drop Marker, Next/Prev Marker, Next / Prev Event
  • General session controls: Undo/Redo, Arm All, Solo/Mute Clear, Track Management, Click On/Off
  • Session Navigator provides quick control over Track Scrolling, Channel Banking, Timeline Scrolling, and much more
  • Channel controls: Level, Pan, Solo, Mute, Rec Arm
  • Automation controls: Touch, Latch, Trim, Write, Read, Off
  • Optional fader functionality: Plug-in edit, bus sends, pan
  • macOS®- / Windows®-compatible with native Studio One® support and HUI and Mackie Control Universal emulation
  • Footswitch input for hands-free start/stop
  • USB 2.0 connectivity



Main Components

  • Continuous-directivity constant curve array with eight 2-inch cone drivers disperse sound an amazing 120° horizontally
  • 15˚ vertical directivity can be extended from 30˚ up to 90˚ with additional arrayable CDL12Ps
  • 12-inch, long-throw LF transducer with 2.5-inch voice coil
  • Low crossover point minimizes comb filtering and enhances line array intelligibility
  • 500 x 500 watts Class D power for high SPLs and lightning-fast transient response
  • Locking AC connector in and out
  • Balanced XLR input and output


  • 90 High-pass filter
  • Array Mode (1-6 boxes)
  • Sub Mode (Off, CDL18s, ULT18, or AIR18s)

Convenience Features

  • 35 mm pole socket with 7.5˚ downward tilt for use with up to two CDL12P on a tripod or atop an 18-inch PreSonus® subwoofer (Note: a CDL18s must be used when two CDL12Ps are arrayed.)
  • Integrated flyware to create an array of up to six CDL12Ps
  • Signal, -3 dB, Limiter Protection, and Clip Monitoring​
  • Easy-to-handle, compact form factor and 63 lb. weight
  • Rugged plastic enclosure
  • Tour-grade, 1.2 mm steel grille​

Accessories and companion products:

  • CDL18s Subwoofer (Supports up to 2 CDL12Ps mounted atop)
  • ULT18 Subwoofer (Supports 1 CDL12P atop)
  • AIR18S Subwoofer (Support 1 CDL12P atop)
  • CDL12P Rigging System Components